Four-Color Coverage

03 August 2015
Let’s look at comics and comics-related things!

Let’s get a few random items out of the way first.

• 25 Greatest Animated Comic Book Covers
• Badass Women to Read if Kelly Sue DeConnick Is Your Hero
  
• Has anyone else tried reading comics with those old red-blue 3D glasses? No? You should give it a shot.
• DC Comics Bombshells Creates World Where Women Were Heroes of World War II
  • Buy This Book: ‘DC Bombshells’ #1 Knocks It Out of the Park
• Nostalgia Overload: ‘Star Wars’ Movies Get Little Golden Books Adaptations
• Ant-Man. If, for some reason, you still haven’t seen it, you’re missing out on Marvel Studios’ take on a comedy heist movie.

Okay with those out of the way, let’s talk comic books…

For me, one of the bright spots in comics is the writing and art of Thom Zahler. He first came to my attention for Love and Capes, which billed itself as “The heroically super situation comedy.” And that’s exactly what it was. But, while serving up romance in a world where costumed heroes exist is nothing new, Love and Capes made the romance the focus of the book, rather than superheroics. This doesn’t mean that readers never saw heroic feats; but the real story followed the growth of the relationship between Abby Tennyson, owner of a small bookstore, and Mark Spencer, accountant by day/superhero by… well… night and day, really. The dialog was crisp and the situations in which Mark, Abby, and their friends found themselves felt believable. And, the comedic timing – after all, it did call itself a ‘situation comedy’ – worked in a way that didn’t feel forced. Check out the website, linked above, or pick up issues or trade paperbacks from IDW Publishing.

Mr. Zahler’s latest offering is the four-issue mini-series, Long Distance:

Long Distance #1 by Thom Zahler

The description for this series:

From the creator of Love and Capes, Thom Zahler! While stranded in an airport, Carter and Lee meet and hit it off immediately. Problem is, he lives in Columbus and she lives in Chicago. Can they manage to have a relationship separated by three hundred miles, a time zone, and the entire state of Indiana?

As someone who has been in a couple of long-distance relationships, the dialog and the situations feel realistic. Zahler manages to find the proper balance of the giddiness that accompanies a new romance along with the added tensions of distance, work, commentary from friends, and time. Because of the care that he puts into all of that, Carter and Lee go from being “just characters in a comic book” to a couple of people to whom you can relate.

Issue #3 of Long Distance hits stands this Wednesday. I highly recommend picking it up – along with Issues #1 and 2 – as part of your comics haul.

Saturday – 28 February 2015
Looking at the comics below, I realized that I had a little something that should be recognized for Black History Month:

Those books are:

• The first issue of Marvel’s Luke Cage: Hero for Hire;
• the first appearance of DC Comics’ Green Lantern John Stewart; and
• The first issue of Marvel’s Black Panther.

All of the books were found, courtesy of my local comic shop, Dr. Volt’s Comic Connection. They know me well and look out for me.

They also afforded me the opportunity to have the issue of Green Lantern signed by Neal Adams, the man who created John Stewart… who just happens to be my favorite Green Lantern. Even better, he recounted the story of how he came to create the character:

Mr. Adams looked at me and asked, “So you found something else…?” I replied that of all the Lanterns, John Stewart was my favorite. He signed it and, putting down his pen, said: “With this, you’ve earned the right to hear the story of John Stewart.” He then proceeded to tell this story:

He had gone to Julius Schwartz with the idea that Green Lantern Hal Jordan needed a backup, in case something happened to him. Schwartz told him that Jordan already had a backup: Guy Gardner.

Adams retorted with: “So, a purple alien comes to Earth, dying, and sends his ring out to find a worthy successor. It passes Batman, Superman and all of the other heroes in the DC Universe and finds… a test pilot. Now, I’m a big fan of Chuck Yeager, so I get it. But, when the time comes to find another worthy person, the ring goes out again… and passes Batman and Superman – again – and finds… a white, blonde, gym teacher. What about all the other people in the world? Is it just going to pass them by?! Twice!?”

“Gardner needs to get hit by a bus. If he just breaks his arm, he’ll be back – good as new – in a month. If he gets hit by a bus, he’ll be out of action for a while. There would have to be a new backup.”

Schwartz realized that Adams wanted to introduce a minority character as Jordan’s backup. He tried to dissuade him by saying that Hal Jordan’s mechanic was Asian. Adams said, “Yeah, and you call him ‘Pieface!’ That’s offensive.” They went back and for a bit, but Schwartz eventually relented and said “Denny (O’Neill) will write it and YOU have to draw him.”

And he did.

When the story was done, O’Neill handed it off to Adams… who didn’t get far into the story before finding another point of contention: the name – “Lincoln Washington.” He confronted O’Neill, who told him that it wasn’t his idea and that Schwartz had come up with it. Adams went to Schwartz “…and closed the door, because I knew there would be shouting.” He argued against the name, calling it not only offensive, but also noting how blacks of the day were changing their names to get away from ‘slave names.’ He also told Schwartz that he could keep the name, if he was adamant, but that e would also fill his office with letters from angry readers. Schwartz responded that he “…[knew] guys with those kinds of names,” and then asked Adams what kind of name he should give him. Adams simply replied, “A name. A real name. Just… pull out any name.” Schwartz eventually relented and told Adams to come up with a name. He picked “John Stewart.” He then laughed and asked, “How was I supposed to know that he was going to be come a comedian?”

He wrapped up his story with the following epilogues:

“This story has two endings.

Ending Two: DC wound up making a movie with Hal Jordan, Green Lantern. There were 10 million kids who were asking ‘Who’s Hal Jordan!?’ Putting Jordan in the movie, they basically went from Gil Kane straight to Geoff Johns, jumping over me and Denny O’Neill – our names weren’t even credited. And, DC lost $150 million dollars on the movie.

Ending One: When I pitched the idea of a black Green Lantern, I did it because I could draw a black person and no one else could or did. All of the artists, even the black ones, were just drawing white faces and then having them colored to be black. And they were drawing them with wavy hair. Black people don’t have wavy hair, they have kinky hair. It takes a whole lot of shit to make it wavy. And we also had to put the color notations in our artwork, so that the colorists would know how to color the characters. Black characters up to that point were all light-skinned, we used to call it ‘khaki brown.’ When I put in my color notations for John Stewart, I made him dark. Julie Schwartz and (publisher whose name I don’t recall) came to him and asked, ” Are you sure that you want him this dark?” Adams confirmed his intention. He then added, “Then they asked me something that has stuck with me until this day: ‘Aren’t black people going to be offended?” Adams laughed and said, “You can send me the first letter.”

And, with that, I can let Black History Month and #BlackComicsMonth go.

Tuesday – 15 July 2014
Danielle Corsetto (@dcorsetto), creator of the Girls With Slingshots webcomic,  stopped in Salt Lake City last night as part of her “Slingshot Across America” tour.

Artwork © Danielle Corsetto

The event was held at the Millcreek Community Library. Ms. Corsetto did a signing – two, actually – and a Q&A panel with the audience. She addressed attendees from a bar-height chair at the front of the room. Her manner was relaxed, candid, and occasionally self-deprecating; it was easy to see that she enjoyed the interaction. The question-and-answer session was light-hearted and fun; people posed questions that ranged from:

• What were some of her work methods?
• How did she choose which personalities and traits to give specific characters?
• Where were some characters who haven’t been seen in some time?
• What was her advice on selling non-book merchandise, such as t-shirts?
• When do you listen to – and not listen to – what your readers say?

down to:

Attendee:  How many Pan Galactic Gargle Blasters could Hazel drink?

Danielle Corsetto: Probably only about a shot of one, but she’d tell everyone that she drank many.

NOTE: Before answering the question, Ms. Corsetto had to stop and ask what a Pan-Galactic Gargle Blaster was. She admitted to having started reading The Hitchhikers Guide to the Galaxy, but stopping after the first chapter.

When the Q&A was done, Ms. Corsetto stopped to take pictures with attendees…

…before taking a short break and setting up for the second round of book signing. I picked up a copy of the first volume of GWS comics:

As an added bonus, attendees who brought – and showed – their library cards were given a copy of the print below:

I realized that I had left the library card at home while I was standing in line.

Of course.

I sent a hurried text message to Sara!, who replied with a picture of the card in the proverbial nick of time! As the Millcreek Library is the one we frequent most often with the girls AND as we are trying to cultivate their love of reading/being read to, it seemed fitting to have Ms. Corsetto sign it to them.

This was a delightful way to spend the evening. Should you find that the Slingshot Across America tour is heading to your town (or a nearby one), I would highly encourage you to take the time to attend.